Special attention to Irisarri's interpretation of Arvo Pärt's Für Alina.
This is an album that I prepared for my friends some time ago, selecting 20 pieces I like. They are mostly ambient or/and contemporary classical.
The track list is as follows:
1. Nils Økland - mønster
2. Harmaa - saapuminen
3. Daniel Bjarnason - sorrow conquers happiness
4. Akira Rabelais - 1390 gower conf. ii. 20 i can noght thanne unethes spelle that i wende altherbest have rad
5. Eric Enocksson - i. nox egoque soli
6. Edward Artemiev - train
7. Jóhann Jóhannsson - the rocket builder (lo pan!)
8. Swod - Nein
9. Ben Woods - A crowded corridor
10. Akira Rabelais - 1559 w. cuningham cosmogr. glasse 125 within which draw an other circle, a finger bredth distant
11. Asher - untitled
12. Jóhann Jóhannsson - salfraedingur
13. Max Richter - Andras 1
14. A Journey Down The Well - good bye, i couldn’t buy you flowers when you were alive
15. Colleen - Sea of tranquility
16. Zbigniew Preisner - dekalog iv
17. Hildur Guðnadóttir - into warmer air
18. Ludovico Einaudi - eyes closed
19. Erik Satie - sports et divertissements, le yachting
20. Library Tapes - feelings for something lost in two parts (pt. 2)






| | 1 La Ballade Des Pendus Music By – Jacques Lasry | 3:20 | | |
| | 2 Annabel-Lee Music By – Jacques Lasry | 4:20 | | |
| | 3 Batterie Music By – Jacques Lasry | 2:25 | | |
| | 4 La Femme Infidèle Music By – Jacques Lasry | 3:02 | | |
| | 5 Nonoche Music By – Jacques Lasry | 4:30 | | |
| | 6 Gui Chante Pour Lou Lyrics By – Guillaume Apollinaire | 1:30 | | |
| | 7 Chant De La Grand'Route Lyrics By – Walt Whitman | 2:20 | | |
| | 8 Je Sais Lyrics By – Pierre Emmanuel | 2:12 | | |
| | 9 Un Feu Vivant Lyrics By – Luc Bérimont | 2:50 | | |
| | 10 Visite Lyrics By – Charles Vildrac | 4:49 | | |
| | 11 Tarendol Music By – Jacques Lasry | 2:42 | | |
| | 12 Le Dit De La Force D'Amour Lyrics By – Paul Eluard | 1:35 | | |
| | 14 Le Rachdingue Lyrics By – Henri-François Rey | 3:31 |

he music on spellewauerynsherde is as unusual as its title which, redefined, reads ‘spell.wavering.shard.’―‘spell’ alluding to the effect cast by its hypnotic incantatory voices, ‘wavering’ their shivering quality once filtered through Rabelais’ Argeïphontes Lyre software and ‘shard’ their fragmentary character. After Rabelais discovered forgotten tape recordings of traditional Icelandic a cappella singing, he found himself so transfixed by the female voices’ heartbreaking sound that he decided to digitally weave them into pulsating drones. By exhuming these phantom, siren-like voices and digitally reconfiguring them, Rabelais’ haunting recording straddles medieval and modern eras. Don’t think that he smothers the remnants with distracting treatments, though. His approach is far subtler; in some cases, voices seemingly stand unadorned of any added embellishment. (source)
| | 1 Madrigál Choir – Hungarian Radio And Television Chorus* | 10:03 | | |
| | 2 144 Sounds | 12:00 | | |
| | 3 In Praise Of Folly Baritone Vocals – György Bordás | 18:26 | | |
| | 4 Sesquiatera Choir – Hungarian Radio And Television Chorus* | 7:22 | |






1 Varde 2:17


